Political Nativity Scenes at American Places of Worship Offer Commentary on Immigration Enforcement
Throughout the US, Christmas exhibits have appeared that mock hardline government immigration enforcement crackdowns. These scenes retell the traditional Christmas story, depicting the infant Christ and his family, Joseph and Mary, as victims caught up in the actions of immigration authorities.
An Evocative Interpretation in a Chicago Suburb
One striking installation at a congregation in Evanston, Illinois shows the infant Christ placed within a manger amidst snow. Yet, the figure is covered by the type of thin, foil thermal blankets often given to detainees and has its wrists bound with zip-ties.
Close by, the figure of Mary stands outside the church, wearing a gas mask. This item has been adopted by activists attempting protection from chemical agents. Beside her are representations of Roman soldiers, however in this scene they are wearing body armor marked with the acronym “ICE.”
An Absent Holy Family
At a different Chicago place of worship, the customary figures of Jesus, Mary, and Joseph are nowhere to be seen from the traditional display with camels and donkeys and wise men. Instead, a sign bears a direct message: “Due to enforcement actions in our neighborhood the Holy Family is in hiding.”
“The holiday season is a time when we have public art in front of the church and we get an opportunity to say something,” said a senior minister involved with one of the installations.
Statements Echo Nationwide
These artistic statements are extensions of the prominent role played by religious communities in recent demonstrations against federal policies. Comparable political displays have appeared in multiple states.
In Massachusetts, a parish removed the tiny figure of Christ from its creche. In its spot was a hand-painted sign that stated: “Immigration authorities were here.” The parish reportedly remained firm despite complaints from both diocesan and agency officials.
Connecting Biblical Narrative and Modern Crisis
According to the creators of these scenes, framing the ancient tale of Christ’s birth within a modern political frame draws focus to ongoing government agendas. They argue that the holy family’s status as displaced persons mirrors the real fears and experiences of many households today, including being torn apart and the deportation of working family members.
It is not the initial instance congregations have used nativity scenes for political protest. Previously, displays have addressed issues ranging from war to the environmental emergency.
Encountering Criticism and Enduring the Elements
The statements are not always universally welcomed. A church minister participating commented that some detractors either misinterpret the intent or “consider it really challenging to their conscience and are lashing out at the display rather than considering what the true meaning is.”
In a physical sense, the weather have also impacted one scene. At a separate church, the statue of Joseph was knocked over in a windstorm and could not be repaired. A substitute notice now occupies the space, stating: “Joseph didn’t make it. We hold this space to memorialize all the those affected of enforcement actions.”